A coloratura soprano praised for her "scintillating precision" (Opera News), Emily Misch is establishing herself as a clear-voiced, versatile, and intelligent performer. In 2020, she was scheduled to return to the Glimmerglass Festival to sing Lora in Die Feen and join the Newport Music Festival to perform Lucy in Menotti's The Telephone, to perform the soprano solos in Brahms’ Ein deutsches Requiem (Altoona Symphony Orchestra) and Mozart’s Requiem and Bach’s Mass in F Major (Berkshire Choral International), and to appear in concert with the Mirror Visions Ensemble. She also performed Zamira in American Lyric Theater's workshop of Sherlock Holmes and the Case of the Fallen Giant. In 2019, she made her Glimmerglass Festival debut as Florestine in The Ghosts of Versailles, a role she reprised with Château de Versailles Spectacles in France for her European debut, and joined Sarasota Opera to cover the Queen of the Night in Die Zauberflöte. Her 2017-2018 season included the Grand Finals of the Metropolitan Opera National Council Auditions, Olympia in Les contes d’Hoffmann and Ruth Bader Ginsburg in Derrick Wang’s Scalia/Ginsburg with Opera North, and soprano solos in Mozart’s Requiem and Haydn’s Paukenmesse with Huntington Choral Society and in Carmina Burana with Altoona Symphony Orchestra.