Bonnie
Cutsforth-Huber

Bonnie Cutsforth-Huber
With her versatility and a voice that has been described as “rich and dusky, but so beautifully clear and expressive,” Saskatchewan native Bonnie Cutsforth-Huber has established an active career as a mezzo/contralto in both concert and operatic repertoire.
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Bonnie Cutsforth-Huber

As a concert artist, she has appeared in prestigious concert spaces across the world, including Carnegie Hall (Mozart Requiem), Avery Fisher Hall (Duruflé Requiem), Vienna’s St. Stephen’s Cathedral (Andrew T. Miller's The Birth of Christ),and Cemal Resit Rey Hall in Istanbul, Turkey (Adnan Saygun's Yunus Emre). Her engagements include performances with the New York City Chamber Orchestra, Altoona Symphony, Nittany Valley Symphony, the Presidential Orchestra of Turkey, the Cemal Resit Rey Orchestra, and The Bach Concert Series of Baltimore. She most recently appeared as the alto soloist in Verdi’s Requiem with The Defiant Requiem Foundation, the Saskatoon Symphony Orchestra in Berlioz's Les Nuits d'Ete, and with the Regina Symphony Orchestra as the alto soloist in the Beethoven Ninth Symphony. Ms. Cutsforth-Huber is equally at home with contralto and mezzo-soprano operatic roles. In 2020, she sang the role of Judith in an English language production of Bluebeard's castle with Amici Opera. Her 2019 season included La Zia Principessa in Suor Angelica and Madame in Cendrillon, both with New York Lyric Opera, and Maman/La Tasse Chinoise/La Libellule in L’Enfant et les Sortileges with Vera Causa Opera. In the 2017/2018 season, she appeared with Amici Opera in the title roles of Thomas's Mignon and Massenet’s Thérese. Highlights of the singer’s 2016/2017 season included the roles of Marthe in Gounod’s Faust and Beppe in Mascagni’s L’Amico Fritz.

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