Véronique
Filloux

Véronique Filloux
(she/her) A 2020 MONC Pittsburgh District Winner, French-American soprano Véronique Filloux has been noted for her “radiant vocal ease” and won praise from Opera News for her “expressive, lovingly shaded soprano.” She is a current Pittsburgh Opera Resident Artist, singing Despina (Così fan tutte), Chan (Charlie Parker’s Yardbird), and the title role in Handel's Semele. She sings L'Amour/covers La Folie (Platée) with Des Moines Metro Opera this summer.
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Véronique Filloux

French-American soprano Véronique Filloux has been noted for her “expressive, lovingly shaded soprano” (Opera News) and “radiant vocal ease” (San Diego Story). She spends the 2020/21 season with Pittsburgh Opera, singing Despina (Così fan tutte), Chan (Charlie Parker’s Yardbird), and the title role in Semele. In the summer, she joins Des Moines Metro Opera as L'Amour/La Folie (cover) in Platée. In 2019/20, Véronique was seen as Shepherdess/Soloist (Venus and Adonis) with Opera Lafayette, with whom she also made her Kennedy Center debut as Tigrane (Radamisto). She returned to solos in Carmina Burana and Messiah with the Champaign-Urbana Symphony Orchestra and Bach Collegium San Diego, and she rejoined Music of the Baroque as Pales in Bach’s “Hunt Cantata.” Prior to Covid-19, she was scheduled to debut with Salt Marsh Opera as Clorinda (La Cenerentola) and to sing Jeannie in Opera Lafayette’s modern premiere of Philidor’s The Blacksmith. At Central City Opera, Véronique sang both Papagena (Die Zauberflöte) and the title role in Debussy’s La damoiselle élue, winning the company’s prestigious Young Artist Award. Other recent highlights include her work with Chicago Opera Theatre, covering Brigitta (Iolanta) and Doodle (The Scarlet Ibis), and solo work with Music of the Baroque. With the Maryland Opera Studio, she performed Soeur Constance (Dialogues des Carmélites), Servilia (La clemenza di Tito), Mae (Street Scene), and Lily (The Young King- premiere). Other roles and concert solos include Olympia (Les contes d'Hoffmann), Silberklang (The Impresario), Isifile (Il Giasone), Adele (Die Fledermaus), Poulenc's Gloria, Lang/Gordon/Wolfe's Lost Objects, and several Bach cantatas. In competition, she is a Pittsburgh District MONC Winner, Musicians Club of Women prize winner, Orpheus Competition Handel Award Winner, Annapolis Opera Competition Encouragement Award Winner and Audience Favorite, 2nd Place Winner of the Dorothy Lincoln-Smith Competition, and a Jensen Competition Finalist.

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